The motive of creation in the poetry of Arseny Tarkovsky runs back to the situation of the beginning and is associated with the transformation of lyrical character. The existence within this paradigm is in the Bible and neotraditional cultural code. The world of Tarkovsky keeps coming back to the situation of creation, where the lyrical hero creates his own world, dating back to the Old Testament prophetic beginning, to Adam and biological formation of the Earth. The conversion to the Demiurge comes through the initiation: a severe wound, finding love. Gaining prophetic incarnation dates back to the lyrical philosophical studies of Russian cosmism where macroand microcosms are identical or isomorphic. Creation comes from the center of the world, and the medium of speech becomes axis mundi. Passing through the Earth’s axis changes the person and anthropological position — the lyrical hero becomes a connecting «bridge» between the realities and spaces. For this reason, the world of Arseny Tarkovsky does not have clear delimitation.